Football Gallery

As well as painting I also enjoy (and endure!) watching live football, which has long been a theme for my paintings. I support Tranmere Rovers, having lived on the Wirral for 25 years, and also follow Blues (Birmingham City) from my youth.

Here are some of my football themed paintings……

Going to the Tranmere Match (oil, 2024).

An entry to a painting competition run by my club Tranmere Rovers on the theme of going to a match in the style of L.S. Lowry. This was to recognise the visit of Lowry's famous painting 'Going to the Match’ to the Williamson Art Gallery in Birkenhead in spring 2024.

Lowry commonly used a thick straight-out-of-the-tube impasto naive style and only used five colours: Lead white, Ivory black, Vermillion, Prussian blue and Yellow Ochre, which is all I've restricted myself to here, from the same manufacturer except vermillion which is hard to find now. He also 'aged' his paintings using various techniques which I've tried to mimic by use of ‘crackle paste' which dries with fine cracks. The original ‘Going to the match’ is more smooth in texture, but my version pulls in a range of Lowry’s styles.

Football grounds are obviously a lot larger scale than when Lowry painted 'Going to the match' (Bolton Wanderer's Burnden Park in the 1950s) so composition was a challenge here. The smaller stands at Prenton Park would have been more typical of that era. As this was created for a competition run by the club I wanted to showcase the stadium well, so this is how I like to think Lowry might have approached the subject today. To show off the ground I needed a perspective with the buildings positioned diagonally, whereas most commonly Lowry painted buildings flat on. However he regularly painted this perspective too so nothing out of character. He often composed his scenes looking down from a high angle, which I’ve done here too which gives a less commonly seen view of the stadium.

The old man raising his walking cane in the lower left is a light reference to an incident in 1979 when a pensioner ran onto the pitch to beat a time-wasting Bournemouth goalkeeper with his walking stick. The mid foreground includes characters copied from Lowry's original ‘Going to the match’ painting to help tie the link between the two. The characters’ clothing is not particularly contemporary with the age of this stadium which was in line with Lowry too, with characters and clothing more typical of the 1930s than 1950s. But was essential to maintain this look for that Lowry-inspired feel.

Available to buy at the Tranmere Rovers online store

'Grand Old Lady' (oil, 2025).

May 18th 2025 saw the final game of Everton men’s first team play at Goodison Park, affectionately known by fans as the ‘Grand Old Lady’. Whilst I don’t support Everton myself (Tranmere Rovers, across the river), I fully recognise the importance of grounds to their fan-base. The home of memories of being taken to the match with family, going with friends, the noise, smells, choice language (!), grabbing food and a beer or two in the build up. I have many friends and colleagues who are Everton fans, and as a passionate football fan myself,I understand how much these temples of dreams, hopes - and often despair - matter.

To mark this momentous event before the first team move to the new stadium at the Bramley-Moore dock, I wanted to capture the feel of going to the match at Goodison Park (or the ‘Toffeeopolis’). Everton are known as ‘The People’s Club’, and this traditional ground is one of a declining number rooted deep in the heart of the fan community. Closely surrounded by terraced housing on three sides, I wanted to capture the community connection in the composition. I also wanted to capure key features such as the church of St Luke the Evangelist, the Holy Trinity statue (Howard Kendall, Alan Ball & Colin Harvey) and even a distant Winslow Hotel pub. I chose a high elevation composition partly to capture these features, and the feel of a club nestled within it’s community, and also inspired by LS Lowry who often painted from a higher viewpoint for his urban landscapes.

Prints available to buy at the shop.

'Tranmere v Blues 1991 (Oil, 2024).

A tribute to Steve Cooper. I follow two clubs, Blues (Birmingham City) my childhood club, and Tranmere Rovers who I've followed for 20+ years since moving to the Wirral and of whom I am currently a season ticket holder. The two teams don't meet too often but did so in 1991 in the final of the Associate Members' cup (Leyland DAF, now EFL, trophy), the subject of this painting. In 1990-91 both teams were in the third tier, a low point for Blues. Tranmere had won the cup the previous year, and this was the first trip to Wembley for Blues for over 30 years.

This shows Tranmere's first goal from Steve Cooper as Birmingham were leading 2-0 following goals from Simon Sturridge and John Gayle. Blues went on to win the final 3-2 with a fantastic overhead shot from Gayle. Cooper's hometown and first club was Blues, but was better known for his spell at Tranmere. Whilst Blues won the cup they finished the '90-91 season 12th under Lou Macari. Despite the cup loss, Tranmere had a successful season making the promotion play-offs with Cooper scoring twice in the semis, then a week after the Leyland Daf cup final, headed to Wembley again for the play-off final, beating Bolton for promotion to the second tier. This heralded their most successful period under the legendary Johnny King.

Tragically Steve Cooper passed away at 39 in 2004. This painting has a nice composition with the Blues players framing Cooper, but also the context around the match forms part of the composition. Based on photo published in Liverpool Echo (John Piper 2015). You can see the moment portrayed in the painting from video highlights here: www.youtube.com/watch?v=ffopKnYMEp8